The Assamese music industry welcomed a fresh romantic melody with the release of “Eti Eti Kotha”, a soulful new song launched on Friday at Auditek Studio, Guwahati. The music video was unveiled by renowned artiste Shanta Uzir, adding to the excitement surrounding the release. The song features the exquisite voice of Surabhi Sonmoni Hazarika, a talented singer from Gohpur in Assam, who has also composed and tuned the track. It beautifully captures the depth of a woman’s love, expressing both the joy and sorrow that come with it.

The launch event saw the presence of eminent musician Manash Hazarika, singer Saju, musician Deep Rajbangshi, and celebrated music director Palash Surya Gogoi, all of whom appreciated the song’s lyrical and musical brilliance.

Popular music director Palash Surya Gogoi has skillfully enriched the composition with melodious music, enhancing its emotional essence. The song’s lyrics flow effortlessly, providing a perfect canvas for Surabhi Sonmoni Hazarika’s evocative vocals.

The music video has been directed and edited by Apuraj Gogoi, while Amlan Jyoti Rajkhowa handled the cinematography. The mixing and mastering of the song were done by Manash Hazarika (Studio Lahar) and Pinku Das (@Red AV Studio).

Adding to the video’s charm, the cast includes Dipankar Mahanta, Junu Nath, Anuska Kashyap, Amaira Dityaa, and Surabhi Sonmoni Hazarika.

Presented by SS Production, “Eti Eti Kotha” is now available on YouTube, offering music lovers an enchanting new tune to cherish.

Roopkar, one of the earliest Assamese-language, tabloid-sized monthly magazines devoted to Assamese cinema, theatre, and culture, is poised to make a comeback. Founded in 1975 by the late Pabitra Kumar Deka, an eminent journalist and humorist, the magazine remained an important part of Assam’s cultural landscape until the early 1990s.

During its initial run, Roopkar was the most popular entertainment magazine in Northeast India. The advisors of the magazine were legendary singer-composer Dr Bhupen Hazarika and esteemed writer Nirode Chaudhury. In 1975, the magazine also introduced Assam’s first popular film awards, the Roopkar Awards, further cementing its influence in the regional film industry. Apart from numerous accomplished writers, the Roopkar magazine also featured contributions from a number of emerging writers. Roopkar magazine, beyond its role as a publication, significantly influenced a generation of readers by its extensive coverage of Assam’s art and culture, literary articles, and essays, while also serving as an educational resource for numerous aspiring authors in the field of cultural journalism. Roopkar was not merely a magazine; it was a fundamental pillar of Art and Literature.

In April 2025, Roopkar will be republished as an Annual Special issue to mark the publication’s 50th anniversary. This revival is being undertaken by Pallabi Borah on behalf of Roopkar Prakashan, with filmmaker and author Prodyut Kumar Deka, son of late Pabitra Kumar Deka, as the editor.

The revival of Roopkar aspires to honour its glorious past while also documenting and promoting Assamese cinema, theatre, and culture for a new generation of readers.

Good news in store for Assamese music. An Assamese song shines in an international film competition! On March 9, the Swami Vivekananda Hall in Kolkata hosted the 5th International Star Film Festival. This year’s festival commemorates the centenary of renowned music director Salil Chowdhury, and in addition to the award ceremony, the audience was captivated by his golden songs and dance performances.

This year’s event featured 65 countries and 290 awards in 47 categories. The Assamese song “Roon Jhoon Jhoon”, which features Dr. Aparna Buzarbarua’s lyrics, melody, music arrangement, and music direction, has won the Best Music Video award at the festival, which is a source of joy. The song also earned Dr. Aparna Buzarbarua the prestigious Salil Chowdhury Award for Best Music Director at the festival. The song is rendered by Dr. Sangita Kakati and features the beautiful dance of Meghranjani Medhi. The song video, which was directed by Antareep Hazarika, has already received four awards.

Born and brought up in a culturally enriching environment in Tezpur, Dr Aparna Buzarbarua started her illustrious career as a Botany teacher at the Cotton College in 1969, and remained there till she retired as the Head of the Deptt in 2003. Dr Buzarbarua, who has composed over 100 songs, collaborating with diverse eminent lyricists from the state, has a rare distinction of being the first recognized female music director of AIR Guwahati in the year 2008. She has also authored a number of books. The music director said that this award is really encouraging news for Assam’s music scene.

The B-Town power couple, Sidharth Malhotra and Kiara Advani, are about to take the next big step in their lives – parenthood! The sizzling chemistry between them is undeniable, but I, Rupaliparda, am here to dish out the juiciest details. While Kiara’s recent announcement of her pregnancy has sent the nation into a tizzy, her first public appearance after Don 3 exit rumours have raised more questions than answers.

I mean, can you blame her for wanting to prioritize her personal life? The film’s original trailer had announced Kiara as one of the leads, but her decision to step away from the project has got everyone whispering about the reason behind her exit. Sources close to the production house reveal, “Kiara was in talks for the role, but she has chosen to prioritize her personal life right now.” One can only imagine the compromises she’d have to make on set, especially during this delicate period. By choosing family over filmmaking, Kiara’s making a bold statement about her priorities.

As for her first public appearance, Kiara looked radiant in a relaxed white printed shirt with matching trousers, the perfect attire for her maternity phase. Sidharth, being the doting partner he is, ensured her comfort while navigating the airport, sending hearts aflutter. Fans went weak in the knees as the couple shared a tender moment, with one fan even calling him a “true gentleman” for his care and affection. I mean, who can resist a man in love?

But let’s not forget about their upcoming projects. Kiara was last seen in the action-packed Game Changer with Ram Charan, while Sidharth is busy with Param Sundari alongside Janhavi Kapoor. War 2 is also on her radar, providing a glimpse into the high-octane action his fans can expect.

As Kiara and Sidharth embark on this new chapter, we can’t help but wonder what the future holds for this power couple. One thing’s for certain, though – their love and commitment to each other is stronger than ever.

The latest arrival on the Netflix scene, Nadaaniyan, is a delightful concoction of excess, nostalgia, and guilty pleasure. This Dharma film showers us with a latté of lightheartedness, served with a side of cavalier abandon – think abs, party scenes, and the unapologetic display of wealth. Yes, you read that right; this film is like a sugar rush in motion, never stopping to breathe, let alone think.

At its heart is Pia Jai Singh (Khushi Kapoor), a southern Delhi socialite who views love as a business deal. Enter Arjun Mehta (Ibrahim Ali Khan), a Noida boy with big dreams, including winning a high school debate competition to secure a spot in an Ivy League university. And how does he do it? By flaunting his six-pack abs to an entire classroom of awestruck students who suddenly decide he’s worth the challenge. Ah, the iconic moment that encapsulates Nadaaniyan.

Starring newcomer Ibrahim Ali Khan, who shines in an emotional scene with his on-screen father, Jugal Hansraj, his debut is a promising one. Khushi Kapoor also has her moments, particularly in emotional scenes where she tries to transcend the limitations of the script. However, the supporting cast, including Suniel Shetty and Mahima Chaudhry, are underutilized and feel like cameos.

What keeps Nadaaniyan afloat is its breakneck pace, throwing one absurd, over-the-top moment after another at viewers before they can even process the previous one. It’s a boggling experience, like watching a whirling dervish of cotton candy whirlwinds. Don’t expect profound insights or logic; this film doesn’t pretend to have grand ambitions. It’s simply a posh, glossy romp with nary a worry in the world.

Admittedly, it’s not a surprise that Nadaaniyan won’t win any awards for originality or depth, but it’s miraculously entertaining. On a lazy afternoon, when you’re in the mood for something mindless and fluffy, this Lighthearted Film might just be the guilty pleasure you’ve been craving.

So, my lovelies, if you’re ready to indulge in a sugary treat, with a side of dazzling production values and cinematic tropes galore, Nadaaniyan is your ticket to a breezy, forgettable cinema experience. It’s guilty, it’s fluffy, and it’s fun. Sip it up, darlings!

The whispers are out, and now, only I, Rupaliparda, can dish out the deets! While Kangana Ranaut takes her next step into the world of politics, none other than the sizzling Preity Zinta has chimed in with a delightful endorsement. In a candid online chat, the Bollywood siren showered boutique wishes on her former co-star, calling her a “fantastic” director. Yes, you heard that right – fantastic!

As the conversation unfolded, Preity gushed about Kangana’s acting prowess, naming her a “fashion icon” and “fantastic actress.” While she hasn’t had the chance to see Kangana’s work behind the camera, Preity seems convinced that the Queen of Jhansi is a natural-born director, stating, “I believe she is a very good director.” With this sentiment, Preity extended her heartfelt wishes to Kangana for her foray into politics, hoping she’ll do her best for the people of Himachal Pradesh.

But, darlings, that’s not all. When a fan asked about her own political ambitions, Preity was quick to set the record straight, declaiming, “No ! No politics for me!” It seems our girl Preity has had her fair share of offers from various parties, but she’s politely declined, opting to focus on what she knows best – the silver screen. As the child of a soldier, Preity identified herself as a “soldier’s daughter” and “soldier’s sister,” revealing that her upbringing instilled a strong sense of values and purpose.

While we’re all excited to see Preity back on the big screen, her forthcoming film, Lahore 1947, promises to be a real showstopper. Directed by Rajkumar Santoshi, with Aamir Khan Productions behind the wheel, the movie boasts an impressive cast, including Sunny Deol and the impeccable AR Rahman and Javed Akhtar. Could this be the film that rekindles Preity’s magic on the big screen?

There you have it, folks – a scoop that’s sure to send your hearts fluttering! It’s been a pleasure to share this tale with you, my dears.

“Epic Anticipation: Don 3’s Cinematic Legacy Set to Ignite with Ranveer Singh at the Helm!”

The wait is almost over, darlings! I’m thrilled to report that Don 3, the latest installment in the iconic franchise, is finally moving forward. And who’s at the helm of this cinematic behemoth? none other than the dashing Ranveer Singh! The charming star, who has already given us a glimpse of his Don persona, is set to take on the iconic role, made famous by the likes of Amitabh Bachchan and Shah Rukh Khan.

In a recent interview with India Today, director Farhan Akhtar gave us an update on the project, confirming that “Don 3 will begin filming this year.” Farhan, being the perfectionist that he is, made it clear that the timelines remain unchanged, and the team is working diligently to bring their vision to life. “Don 3 will begin filming this year, and I’m not avoiding any questions,” he assured.

Ranveer, who made his announcement in a special video last year, expressed his gratitude and excitement about joining the Don dynasty, saying, “I understand what a great responsibility it is to be a part of the Don franchise. I hope the audience gives me a chance and showers me with love, the way they have for numerous characters over the past so many years.”

Kiara Advani will be joining Ranveer on this thrilling ride, and I, for one, can’t wait to see the chemistry between these two stars. Ranveer, who was last seen in the blockbuster film Singham Again, is indeed ready to take on the challenge of playing the iconic role.

In other news, Farhan Akhtar’s production house, Excel Entertainment, has also announced the release date for their next project, Superboys of Malegaon, starring Adarsh Gourav, Vineet Kumar Singh, Shashank Arora, and Anuj Singh Duhan. The film is slated to hit theaters on February 28.

And, if you’re wondering what’s taking so long with Don 3, let me give you the lowdown: Rumors of delays have been circulating, but the truth is, the makers and Ranveer are on the same page, and the timelines are firm. Farhan cleared the air, saying, “The mandates for Don 3 remain ambitious – delivering a cinematic spectacle that lives up to the franchise’s legacy while setting new benchmarks.”

Late Bhupen Uzir, a renowned music director, sound recordist, and guitarist, made an indelible impact on Assam’s music and film industries. He continues to inspire generations with his love of music, creativity, and commitment to developing fresh talent. Starting as a guitarist at the young age of 13, Uzir’s passion and dedication to music brought him to the recording industry, where he played guitar with several well-known musicians. He made his debut as a music director in 1982 with the Assamese feature film ‘Devi’, and during the course of his distinguished career, he directed music for over 25 films. In 1989, Bhupen Uzir founded Auditek, a cutting-edge recording studio in Guwahati, paving the way for a revolution in the music industry. He distinguished himself as a pioneer in the field by becoming the first person in the entire Northeast to launch digital audio recording. His dedication to music and technology motivated him to launch the Auditek School of Music and Technology in 2007. With a mission to make sound recording and music production accessible to all, the school offered courses at a nominal fee, inspiring countless aspiring musicians and sound recordists. Bhupen Uzir’s contributions have been recognized with various honours from both government and private organizations, solidifying his legacy.
To honour this iconic figure and ensure that his legacy lives on in the hearts of Assamese people, the ‘Bhupen Uzir Smriti Raksha Samiti’ was founded. The primary objective of the committee is to inspire, honour and preserve Bhupen Uzir’s remarkable contributions to Assamese music and cinema.

The committee’s motto, “Honoring the Melody and Preserving the Legacy,” ensures that the younger generation remembers Bhupen Uzir’s profound impact on the region’s cultural and musical heritage. As a tribute to the legendary artist, the Bhupen Uzir Smriti Raksha Samiti will celebrate his 72nd birthday with a musical evening on Saturday, April 5, 2025. On this occasion, an online singing competition to commemorate Bhupen Uzir’s birthday has been organized, featuring some of his most beautiful and timeless compositions.
The competition will be held in two categories. Singers under the age of 14 will compete in category A, while those beyond the age of 14 will compete in category B. In both categories, there will be three prizes. The competition rules and songs have already been made available on the Facebook page of ‘Bhupen Uzir Smriti Raksha Samiti’. Contestants must submit a video of their preferred song via WhatsApp or email to Bhupen Uzir Smriti Raksha Samiti by March 25, 2025. In addition to a trophy, the winners will be awarded certificates and cash prizes. An intimate musical evening titled “Hiya Bhora Xubhokamonare 2025,” will be held at the Sri Sri Madhavadeva International Auditorium of Shrimanta Sankardeva Kalakshetra of Panjabari, Guwahati, on April 5, 2025 in honour of the late artiste’s birthday. The musical evening will feature performances by both established and emerging Assamese musicians, with the top contestant earning a performance slot. Prizes will also be awarded to the winners of the online singing competition. Additionally, three instrumentalists and sound recordists will be specially honoured for their lifetime achievements on the occasion. The organisers have sought the cooperation of the public in making this event a success. It is worth noting that the Directorate of Cultural Affairs, Govt of Assam, has confirmed its support for the event.

The second North East India Film Festival (NEIFF) 2024, organized by THOUNA, Manipur in association with Film Forum Manipur & Directorate of Information & Public Relations, Government of Manipur and sponsored by the Ministry of Information & Broadcasting, Government of India and National Film Development Corporation (NFDC), successfully concluded at the Library & Information Centre in Kakching with cultural performances and an award ceremony.

In addition to celebrating Manipur’s rich cultural and cinematic heritage, the festival brought together eminent academics, artistes, filmmakers and cultural icons to showcase the power of cinema as a vehicle for social change, education, and cultural preservation while sharing the numerous narratives of Northeast India on a prestigious platform. The five-day event featured 28 films, with eight feature films and two non-feature films chosen for competition.

‘Where Is My Home’, jointly directed by the late Bhaskar Jyoti Das and Samiran Deka, and produced by Samiran Deka under the banner of Ssdeka Media Entertainment Pvt Ltd, was the recipient of the Best Non-Feature Film award at the 2nd North East India Film Festival, showcasing Samiran’s rapid ascent in the indie movie scene. Apart from ‘Where is My Home’, his other film, ‘Teens of 42’, was also screened at the festival. Both of these films have received praise for their creative storytelling and engaging narratives at several film festivals. The critical recognition solidifies Samiran Deka and Ssdeka Media Entertainment’s standing as significant forces behind the changing film landscape of Northeast India.

‘Where is My Home’ draws attention to the ongoing hardships faced by India’s displaced indigenous population. For the indigenous Bru (Reang) community, the concept of ‘home’ has been a distant dream for more than two decades. The film focuses on the 23-year ordeal of the Bru refugees, who were uprooted from Mizoram after ethnic conflicts in 1997. The documentary chronicles their struggles, tenacity and unwavering optimism as they endure life in relief camps throughout Tripura, yearning for a home of their own.

The festival’s Best Feature Film award went to the Manipuri feature ‘Oitharei’, produced by Gibanlata Thokchom and directed by Dinesh Naorem. The award for Best Director was bagged by Dhiraj Kashyap for the Assamese film ‘Amateurs’, the Best Screenplay award was won by Binoranjan Oinam for ‘Langdai Ama’ (Manipuri), while Joy Mekola took home the Best Cinematography award for ‘Oitharei’, Tarun Wang received the Best Editing award for ‘Laangoi’ and Debojit Gayan bagged the Best Sound Design award for ‘Baghjan’. The Special Jury Award was bagged by actor Narmada for the film ‘Sunita’, which also received the Jury’s Special Mention. ‘The Legacy of 4 Generations’ received the Special Mention in the Non-Feature Film category. The winners received trophies and cash prizes in addition to citations.

Comedian Samay Raina has become embroiled in a controversy stemming from his YouTube series, “India’s Got Latent.” Tensions rose when guest Ranveer Allahbadia posed an inappropriate question to a contestant, leading to significant public backlash. In the wake of the incident, Raina removed all episodes of the show from his channel and vowed to cooperate with ongoing investigations. The controversy has had tangible repercussions, with concerns about his future performances leading to show cancellations and potential police involvement to monitor for offensive content.

Amidst this turmoil, an earlier episode featuring actress Avika Gor has resurfaced, drawing unexpected attention. During Gor’s appearance, Raina humorously remarked on her role as the original Anandi in the beloved TV series “Balika Vadhu,” joking about her exit from the show, which elicited laughter from Gor. Although the exchange was light-hearted, the episode’s newfound virality has intensified the scrutiny on Raina, sparking broader discussions about the boundaries of humor and the responsibility of content creators to maintain respectfulness in the digital era.

Following the controversy, Ranveer Allahbadia publicly apologized, admitting his comments were inappropriate and expressing regret for his misjudgment. Despite the apology, the situation has escalated, leading to legal proceedings against Allahbadia and others associated with the show for allegedly promoting obscenity and participating in unsuitable discussions. Meanwhile, Avika Gor, who first rose to fame as a child actress through her portrayal of Anandi, has successfully transitioned to a thriving film career. She has received accolades for her performances in both television and cinema, with notable roles in films like “#Bro” and “Uyyala Jampala” showcasing her versatility. Apart from her acting career, Gor is dedicated to fitness and social causes, engaging audiences with her talent and charm across various media platforms.