In a surprising turn of events, renowned music maestro AR Rahman is making headlines due to personal developments, as his wife Saira Banu has publicly announced their decision to separate after 29 years of marriage. Known for keeping his personal life private, the couple’s decision has captured public attention.

Rahman, known for his iconic contributions to music, addressed the situation by sharing an emotional note on his X account (previously Twitter). He confirmed the separation with profound words, “We had hoped to reach the grand thirty, but all things, it seems, carry an unseen end. Even the throne of God might tremble at the weight of broken hearts.” His note reflected on their journey together and expressed the heartache they endure while extending gratitude to friends for their unwavering support and kindness during this challenging time.

Saira Banu, on the other hand, released an official statement where she shared the difficult choice to part ways after enduring significant emotional strain in their relationship. Emphasizing their enduring love, she conveyed that the tensions and difficulties had created an unbridgeable gap between them. Saira’s statement appealed for privacy and understanding from the public as she navigates this testing phase.

The couple, who wed on March 12, 1995, in an arranged marriage, had long been admired for their enduring bond. Their nearly three decades of marriage served as a testament to their commitment, making this announcement all the more poignant.

Amid this personal upheaval, both Rahman and Saira’s focus remains on handling the situation with dignity and respect. Their shared appeal for privacy underscores their desire to keep this personal chapter as private as possible, in line with Rahman’s characteristic approach to his family life. As the couple embarks on separate paths, the public continues to extend its support, respecting their wish for discretion during this transformative time.

The second day’s evening, dedicated to the memory of beloved actor Jayanta Das, will kick off with a Sattriya dance item by Bismillah Khan Award winner Dimpee Baishya. It will be followed by the performance of Abhijit Ranjan Bhattacharya’s ‘Halodhiya Manuh’, directed by Manmath Baruah, and presented by Natasurya, Guwahati.

In line with the 20th anniversary of ‘Gandharba’, Jiban Silpi Adya Sarma Memorial ‘Painting Competition’ from classes 1st to 6th will take place from 3.00 pm on 7th December, 2024, and on 8th December 2024, the 14th annual ‘Bhupendra Sangeet Competition’ will be held on an all Assam basis from 10.00 a.m (Below 15 years in section ‘A’ and above 15 years in section ‘B’). It is mandatory for the contestants to furnish an age certificate. The music accompanists will be provided by the organizing committee in the singing competition. It is advisable for the contestants to dress decently for the competition. The decision of the judges will be considered final and abiding. Gandharba’s anniversary will conclude with a cultural programme, followed by the presentation of cash prizes and certificates to the winners at the prize distribution ceremony on December 8. Those interested in taking part in the competitions can contact at the following numbers for further details – 98641-30572, 93653-43195, and 70028-47240.

Also read: ‘গন্ধৰ্ব’ৰ উদ্যোগত সদৌ অসম ভিত্তিত চতুৰ্দশ বাৰ্ষিক ‘ভূপেন্দ্ৰ সংগীত প্ৰতিযোগিতা’, সপ্তম বাৰ্ষিক জীৱন শিল্পী আদ্য শৰ্মা সোঁৱৰণী ‘চিত্ৰাংকণ প্ৰতিযোগিতা’ আৰু দ্বিতীয় বাৰ্ষিক ‘গন্ধৰ্ব’ নাট মহোৎসৱ -Prantik Deka

নাট মহোৎসৱৰ লগত সঙ্গতি ৰাখি পোন প্ৰথমবাৰৰ বাবে ‘গন্ধৰ্ব’ই প্ৰকাশ কৰি উলিওৱা বিশিষ্ট সাংস্কৃতিক সাংবাদিক তথা লেখক অতুল মজুমদাৰ’ৰ ‘নাট্য প্ৰবাহ’ নামৰ গ্ৰন্থখনি উন্মোচন কৰিব নাট্যকাৰ নৰেন পাটগিৰিয়ে প্ৰথম নিশাৰ নাট্য সন্ধিয়াটিত। দ্বিতীয় নিশা অৰ্থাৎ ৭ ডিচেম্বৰ তাৰিখে বিচমিল্লা খাঁ বঁটা প্ৰাপক ডিম্পী বৈশ্যৰ সত্ৰীয়া নৃত্যৰে সেইদিনাৰ সন্ধিয়াটি শুভাৰম্ভনী কৰা হব।

‘গন্ধৰ্ব’ৰ বিংশতিতম বৰ্ষপূৰ্তিৰ লগত সঙ্গতি ৰাখি অহা ৭ ডিচেম্বৰ, আবেলি ৩.০০ বজাৰ পৰা প্ৰথম শ্ৰেণীৰ পৰা ষষ্ঠ শ্ৰেণীলৈ জীৱন শিল্পী আদ্য শৰ্মা সোঁৱৰণী ‘চিত্ৰাংকণ প্ৰতিযোগিতা’ আৰু ডিচেম্বৰৰ ৮ তাৰিখে ৰাতিপুৱা ১০.০০ বজাৰ পৰা চতুৰ্দশ বাৰ্ষিক সদৌ অসম ভিত্তিত ‘ভূপেন্দ্ৰ সংগীত প্ৰতিযোগিতা’ দুটা শাখাত অনুষ্ঠিত হ’ব (‘ক’ শাখা ১৫ বছৰ তলৰ আৰু ‘খ’ শাখা ১৫ বছৰ ওপৰৰ)৷ প্ৰতিযোগীয়ে বয়সৰ প্ৰমাণ পত্ৰ জমা দিয়াটো বাধ্যতামূলক৷ প্ৰতিযোগিতাত বাদ্যযন্ত্ৰী উদ্যোক্তাৰ তৰফৰ পৰা যোগান ধৰা হ’ব৷ প্ৰতিযোগিতাত প্ৰতিযোগীৰ সাঁজপাৰ মাৰ্জিত হোৱাটো বাঞ্ছনীয়৷ যিকোনো সিদ্ধান্তৰ ক্ষেত্ৰত কমিটিৰ সিদ্ধান্ত চূড়ান্ত বুলি বিবেচিত হ’ব৷ ৮ ডিচেম্বৰত সন্ধিয়া ৭.০০ বজাত বঁটা বিতৰণী অনুষ্ঠানত নগদ ধন আৰু চূড়ান্ত বঁটাৰ লগতে প্ৰমাণ প্ৰত্ৰ বিজয়ী প্ৰতিযোগীক প্ৰদান কৰি সাংস্কৃতিক অনুষ্ঠানেৰে গন্ধৰ্বৰ বৰ্ষপূতিৰ সামৰণি ঘটিব। সবিশেষ জানিবৰ বাবে ৯৮৬৪১-৩০৫৭২, ৯৩৬৫৩-৪৩১৯৫, ৭০০২৮-৪৭২৪০ – এই নম্বৰসমূহত যোগাযোগ কৰিব পাৰিব বুলি ‘গন্ধৰ্ব’ই এক প্ৰেছ বিজ্ঞপ্তি যোগে জনাইছে৷
–ৰূপকাৰ চিনে এণ্টাৰপ্ৰাইজ

আৰু পঢ়ক: The 14th Annual All-Assam ‘Bhupendra-Sangeet Competition’, organized by ‘Gandharba’, 7th Annual Jiban Silpi Adya Sarma Memorial ‘Drawing Competition’ and 2nd Annual Gandharba Drama Festival-Prantik Deka

On the occasion of the 20th anniversary of Maligaon’s Boripara-based acting and music institute ‘Gandharba’, a two-day second annual ‘Gandharba Drama Festival’ will be held on December 6 and 7, 2024, at the Karmashree Hiteswar Saikia Auditorium in Boripara, Maligaon, Guwahati, as informed by Gautam Kumar, President and Dhrubajyoti Kumar, Secretary of the event, in a press release. The festival will also dedicate each night in the memory of departed souls of renowned Assamese cultural personalities. The first day’s evening, dedicated to the memory of renowned artist Sudakshina Sharma, will open with ‘Dristanto’, a play presented by Gandharba, and written by Himjyoti Baishya, and directed by Dhrubajyoti Kumar. It will be followed by the play ‘Priyabandhu’, written and directed by noted playwright Naren Patgiri and presented by the Indian People’s Theatre Association (IPTA). Playwright Naren Patgiri will also release a book titled ‘Natya Prabaah’, written by prominent cultural journalist and writer Atul Majumder, and published by Gandharba for the first time.

The second day’s evening, dedicated to the memory of beloved actor Jayanta Das, will kick off with a Sattriya dance item by Bismillah Khan Award winner Dimpee Baishya. It will be followed by the performance of Abhijit Ranjan Bhattacharya’s ‘Halodhiya Manuh’, directed by Manmath Baruah, and presented by Natasurya, Guwahati.

In line with the 20th anniversary of ‘Gandharba’, Jiban Silpi Adya Sarma Memorial ‘Painting Competition’ from classes 1st to 6th will take place from 3.00 pm on 7th December, 2024, and on 8th December 2024, the 14th annual ‘Bhupendra Sangeet Competition’ will be held on an all Assam basis from 10.00 a.m (Below 15 years in section ‘A’ and above 15 years in section ‘B’). It is mandatory for the contestants to furnish an age certificate. The music accompanists will be provided by the organizing committee in the singing competition. It is advisable for the contestants to dress decently for the competition. The decision of the judges will be considered final and abiding. Gandharba’s anniversary will conclude with a cultural programme, followed by the presentation of cash prizes and certificates to the winners at the prize distribution ceremony on December 8.

The year’s most heartening news came in the form of the film adaptation of Natasurya Phani Sarma’s classic play ‘Keyo’ (Why?), which will be released at the end of January next year after Natasurya’s timeless creation made its way to celluloid courtesy of the persistent efforts of an unsung, yet zealous and prominent representative of the present generation of Rupkonwar Jyotiprasad Agarwala’s family.

Natasurya Phani Sarma’s classic play ‘Keyo’, scripted and directed by Aparup Agarwala under the banner of Tezpur’s Sree Haribilash Movies, has already completed the shooting portion in various locations of Tezpur, and most recently, it’s editing work, too, has been wrapped up in Guwahati. Touted as a milestone in the Assamese film industry, this film is the creative brainchild of Aparup Agarwala, the artistic son of late Bibekananda Agarwala, brother of Rupkonwar Jyotiprasad Agarwala.

Phani Sarma wrote the social drama ‘Keyo’ inspired by his experience as an actor, and the profound grief he felt at the news of his son’s untimely death while acting on the stage in upper Assam.

The story of ‘Keyo’ is based on the life of a struggling artiste, who spends his time and energy entertaining people with his artistic creations, but receives very little compensation from society for his efforts. Barely making ends meet, he can’t afford to call a doctor to attend to his seriously sick son, who needs medical attention. Stirring and heart-wrenching, ‘Keya’ depicts the utter frustration of an artiste as a result of financial crisis, and the gross negligence meted out to him by society.

“The story mirrors the sacrifice and the real life struggle of Natasurya,” said Aparup Agarwala, who makes his debut as a filmmaker. Throughout his illustrious journey, Phani Sarma endured immense financial struggles. A socially responsible artiste, Phani Sarma’s bitter disappointments in life resulted in the creation of the drama ‘Keya’, which is just as relevant today as it was when it was first performed. “The play itself is so relevant to the present scenario, grasping many of those socio-economic disparities and problems, which  beset modern society today,” Agarwala adds. Besides directing and scripting, Aparup Agarwala has also conceptualized and scored the film’s music.

Now that the film’s editing has been wrapped up, the work on the background score will commence soon. Director Aparup Agarwala initially planned to release the film on the day of Silpi Divas, celebrated annually on January 17, but several other Assamese films are expected to release on that day, so he is now thinking of releasing the film on 31st January, the day observed as the birth anniversary of Kalaguru Bishnu Prasad Rabha.

‘Keyo’ is cinematographed by the experienced Sumon Dowerah, art direction is by Kulen Borah, sound designing is by Debajit Gayan, editing executed by Jhulan Krishna Mahanta, costumes by Sumon Riya Phukon, choreography by Mitali Dutta Borthakur, and makeup by Arup Das. The film’s chief assistant director is Ronal. Musically arranged by Manash Hazarika, the playback singing has been done by Lonismita Devi and Dikshit Mahanta. The various roles in the film are enacted by a number of unfamiliar faces, including Partha Dutta, Primrose Saikia, Udayan Goswami, Naba Barua, Bhupen Sarma, Sujeet Sarma, Ujjal Saikia, Palashree Das, Preety Khound Mahanta, Prashanta Borah, Anima Kalita Bordoloi, Rasmita Bhuyan, Tilak Nath, Purbashree Agarwala, Minu Tibrewal, Bhargav Kalita Bora, among others.

Suriya’s much-anticipated film “Kanguva,” directed by Siva and co-starring Bobby Deol and Disha Patani, premiered in theaters worldwide on November 14, 2024. Despite the hype and expectations, early reviews labeled the fantasy drama as lukewarm. On its first day, the movie reportedly amassed a worldwide gross of ₹58.62 crore. The production house celebrated the figure with a poster, claiming the film was storming box offices globally. However, contrasting reports from Sacnilk.com cited a lower figure of ₹40 crore gross, split between ₹28.50 crore in India and ₹11.50 crore overseas.

Producer KE Gnanavel Raja, who had ambitious dreams of the film hitting a ₹2000 crore mark worldwide, acknowledged during a press briefing that the opening collection fell short of expectations. Despite this, he remained optimistic, noting that the film’s performance was impressive given it premiered on a weekday. Raja expressed confidence that “Kanguva” would become Suriya’s highest-grossing film by the end of the inaugural weekend.

The reactions to “Kanguva” were mixed among fans and critics alike. While Suriya’s portrayal received widespread acclaim, criticisms were aimed at the film’s overwhelming sound design and Siva’s writing and direction. The film features a cameo by Karthi, Suriya’s brother, and concludes with a setup for a sequel, “Kanguva 2,” where the two siblings are expected to face off.

“Kanguva” was released in both 2D and 3D formats, catering to audiences in all major South Indian languages as well as Hindi. While the film’s initial reception has varied, the unique blend of visual experience and star power could potentially drive its success in the coming days.

Mukesh Khanna, widely recognized for his iconic role as Shaktimaan, has recently sparked conversations on social media with his traditional views on the Indian film industry. Known for his outspoken nature, Khanna has commented on a range of topics, from the controversy surrounding the song ‘Besharam Rang’ from the film Pathaan to Ranveer Singh’s much-discussed nude magazine cover photoshoot. His opinions have received mixed reactions, with some supporters applauding his candidness while others have ridiculed him.

Recently, at a public event, Mukesh Khanna, dressed in his Shaktimaan costume, criticized Akshay Kumar’s portrayal of the revered King Prithviraj Chauhan in the Yash Raj Films production “Samrat Prithviraj”. He questioned the authenticity of Kumar’s portrayal, remarking that simply wearing a wig and moustache doesn’t embody the essence of the legendary king, highlighting the need for a certain ‘gait’ and intensity to play such a historical figure convincingly. This comment, captured on video, swiftly circulated online, inciting varied responses from netizens. While some people agreed with Khanna’s perspective, others mocked him, noting his age and calling him outdated for critiquing a respected Bollywood figure like Akshay Kumar.

Khanna’s critical remark has added to a string of public comments he has been making, which have garnered significant attention. Fans and skeptics alike have taken to platforms like Twitter to express their views, with some supporting Khanna’s outspoken approach and others defending Kumar, pointing out the seasoned actor’s vast experience and achievements in the film industry.

Known familiarly as Shaktimaan from his days on Doordarshan, Mukesh Khanna remains an influential figure, generating discussions that resonate across social media. His potential return to television has been teased with his appearance in his superhero costume, igniting speculation about the revival of the beloved series for the younger generation.

Bollywood power couple Ranveer Singh and Deepika Padukone are celebrating their sixth wedding anniversary with joy and fanfare. The duo, who tied the knot in an intimate ceremony at Lake Como in 2018, recently embraced the joys of parenthood, welcoming their daughter, Dua, in September. On this special occasion, Ranveer took to social media to share a delightful array of unseen photos and a cheerful video featuring Deepika. The photos captured goofy moments of Deepika indulging in ice cream and enjoying trips, showcasing her vibrant personality. In the video, she was seen laughing wholeheartedly, spreading infectious happiness.

Ranveer’s affectionate post came with a loving note: “Every day is Wife Appreciation Day, but today is the main day. I love you.” This heartfelt tribute was met with an outpouring of love from fans, who showered the couple with good wishes and blessings. Messages like “Happy Anniversary DeepVeer” and “May god bless you all forever” echoed across social media platforms.

The couple’s magical wedding journey was once shared in a heartwarming video debuted on “Koffee With Karan” last year. The video unfolded touching moments from their wedding, including Ranveer’s sentimental toast vowing to marry Deepika, tender scenes of him adjusting her makeup, and declarations of love just before the ceremony. The video also featured emotional bytes from their families, leaving Karan Johar and fans moved.

Also read:Overjoyed Papa Ranveer Singh’s Heartfelt Wish Fulfilled by Beloved Wifey Deepika Padukone – Amazing Details Inside!

Returning to the present, Ranveer and Deepika’s followers expressed their shared excitement as they embark on this new chapter of parenthood. With love and dua pouring in for them and baby Dua, the day marks a celebration of love, laughter, and lasting memories. The anniversary festivities showcase not just their enduring bond but also the immense affection their fans hold for them.

Ajay Devgn recently shared his enthusiasm for his upcoming film “Singham Again,” marking his return as the formidable Bajirao Singham. Known for delivering intense and gripping performances, Ajay is set to bring fresh energy to the beloved character, promising fans a thrilling ride with a blend of high-octane action and deeper emotional narratives. In an interview, he revealed that this installment would explore new dimensions within the Singham universe, ensuring audiences experience an action-packed storyline that remains true to the series’ core while introducing exciting new elements.

Ajay also addressed the impending box-office face-off with “Bhool Bhulaiyaa 3,” starring Kartik Aaryan. Despite the natural competitive nature of the business, Ajay emphasized that he holds a positive perspective, trusting that both films will carve out their niches and be appreciated by moviegoers. His comments highlighted a sense of camaraderie over rivalry, underscoring that the film industry thrives on diverse offerings that cater to different audience preferences.

This sentiment of mutual respect and anticipation for his role showcases Ajay’s confidence in both his craft and the collaborative spirit of cinema. His insights have sparked excitement among fans, eagerly awaiting the return of the iconic cop and the thrilling escapades that “Singham Again” promises to deliver. As anticipation builds, audiences can expect a film that not only features jaw-dropping action sequences but also expands upon the legacy of Bajirao Singham, reaffirming Ajay Devgn’s place as a stalwart of Indian action cinema.

In a trending video on social media, Bollywood superstar Aamir Khan recently opened up about his perspective on true stardom during a conversation with Hollywood Reporter. Aamir articulated that real stardom is determined by the ability of a star to fill theater seats. “The real measure of stardom is the number of seats you fill. If you can draw audiences to cinemas, you’re a star. I might love an actor but may not necessarily watch their films,” he explained.

Aamir further clarified that even those who may struggle to fill seats hold stardom, yet from a producer’s viewpoint, signing a star translates to expecting them to attract audiences. He emphasized that the essence of casting a star in a big-budget film lies in their ability to draw in crowds. Reflecting on his 2009 blockbuster “3 Idiots,” Aamir mentioned that he doesn’t claim sole responsibility for its success despite his star power. The film, directed by Rajkumar Hirani and loosely based on Chetan Bhagat’s novel “Five Point Someone,” prominently featured actors like R. Madhavan, Sharman Joshi, and Kareena Kapoor alongside Aamir.

He highlighted that the film’s triumph was a collective effort involving the director, producer, writers, and the entire crew who created a connection with audiences. Aamir also made a key point regarding a star’s influence on a film’s opening. “I can only take credit for drawing crowds in the initial three days. The opening reflects a star’s capability,” he noted, adding that even without a strong start, some films subsequently achieve great success based on their overall appeal rather than the star’s draw alone.

In essence, while an actor’s magnetic pull can give a film an impressive start, sustainability and long-term success rely on the movie’s inherent connection with audiences.