In a profound tribute to Dr. Zubeen Garg, the heartbeat of Assamese music and a beloved voice of the people, Zubeen Divas was observed in Kolkata on September 19, 2026, honouring his enduring artistic and cultural legacy.

Organised by the Kanchanjangha Foundation, a platform dedicated to the cultural and emotional bond between Bengal and Assam, the event commenced at 10:00 a.m. in the Palm Room on the ground floor of the Utalika Luxury Convention centre. Featuring Srimad Bhagavat Path, prayers, Borgeet, Kamrupi folk songs, tributes, and cultural performances, the event offered a deeply heartfelt homage to Assam’s beloved artiste.

The programme reflected upon Zubeen Garg’s music, creations, personality and his extraordinary contribution to Assamese society and culture. Through his voice, an entire generation found the language of its emotions, dreams, love, pain and life. The void created by his physical absence is profound; yet, through his songs, melodies, creations and ideals, he continues to remain alive in countless hearts.

Right from the outset of the programme, Shikha Bhattacharjee, General Secretary of the Kanchanjangha Foundation, honoured the memory of Zubeen Da with a deeply moving prayer, imbuing the atmosphere with spiritual depth and emotional solemnity. Ashok Bhadra, the Foundation’s President and a prominent music director from Kolkata’s cultural fraternity, paid floral tribute to Zubeen Garg. In his address, he reaffirmed the Foundation’s commitment to preserving Zubeen Da’s legacy and building an enduring musical and cultural bridge between Bengal and Assam.

Pritam, the director of the upcoming movie Love You Zubeen Da, offered a floral tribute and said, “Zubeen has left behind the seeds of culture. It is our responsibility to nurture them, carry them forward, and establish them on the global stage.”

Priyo Chattopadhyay, Vice-President of the Foundation and the lyricist associated with Zubeen’s much-loved song Mon Manena, remembered Zubeen Garg through the planting of his beloved Nahar sapling. The gesture brought alive once again the deep musical bond, affection and memories that he shared with Zubeen Garg.

Dr. Meghali Goswami, Working President of the Kanchanjangha Foundation, lovingly distributed saplings among Zubeen’s admirers as a symbol of unity and remembrance, with the intention of keeping Zubeen Da eternally alive in their hearts. Recalling his profound love for nature and his sensitivity towards the environment, this symbolic gesture represented a silent, collective pledge to carry forward his green vision, creative legacy, and values.

Every person present at the programme experienced Zubeen Da once again—not merely as an artist who left behind a legacy of work, but as an emotion deeply rooted within their own hearts.

Under the leadership of Mitali Kashyap, Cultural Secretary of the Foundation, Zubeen admirers presented Borgeet, Kamrupi folk songs and Bengali songs sung by Zubeen Garg, in an earnest effort to carry forward the stream of his music and memory. The cultural presentation became a heartfelt expression of the bridge connecting the cultural traditions of Bengal and Assam.

Bhagavat Path and Negera Naam-Prasanga, presented by Zubeen admirers, created an especially serene and spiritually charged atmosphere during the programme.

Several distinguished personalities who had, at different points of time, worked alongside Zubeen Garg in the fields of music and culture were present and shared their memories of him and reflections on his creative journey.

Among those present were Akash Sen, Randip Dam, Joint Commissioner of Assam Bhawan, Kolkata, Debajit Roy, Dr. Samir Das, Sadhan Bagchi, Dhananjay Biswas, Pritam, Dr. Kabita Mukherjee, Advisor to the Foundation, Mun Talukdar, Treasurer of the Kanchanjangha Foundation,  Hemen Bhattacharjee, President of ASL, Jiban Roy of ASSK, Parimal Das, Sumana Choudhury, along with numerous Zubeen admirers, well-wishers and members of the cultural fraternity.

Those present recalled that Zubeen Garg was more than just an artist. He embodied Assamese pride, the very heartbeat of music, and a living cultural force that resonated from one heart to another, serving as the voice of an entire generation.

The profound emotional relationship that Assamese society developed with his creations cannot simply fade with time; rather, it is destined to grow deeper and more vibrant. Through his music and creative works, Zubeen Garg also played a distinctive role in connecting Assam with different parts of India and bringing Assamese music and culture to wider audiences.

The core essence of the programme was beautifully captured in a single, poignant reflection: though Zubeen Garg is no longer physically with us, his melodies, his words, his dreams, and his cultural vision will live on forever.

Carrying forward the cultural seeds planted by Zubeen Garg among the younger generation, taking Assamese music and culture to a wider global audience, and strengthening the cultural bond between Bengal and Assam—these responsibilities and commitments resonated throughout every moment of the programme.

At the conclusion of the programme, prayers were offered for the eternal peace of Zubeen Garg’s soul, along with heartfelt condolences to his family, admirers and well-wishers. Everyone present then came together to sing Mayabini Raatir Bukut, creating a deeply emotional and memorable conclusion to the tribute.

Although Zubeen Garg is no longer physically with us, his melodies, songs, and extraordinary creations will endure. His human values, independent thought, social responsibility, love for nature, pursuit of communal harmony, and vibrant dreams will continue to flow through the hearts of every admirer.

With nearly two decades of classical training, more than 225 stage performances, and 14 screen productions, Rodali Bora is carrying the cultural identity of Assam to audiences far beyond her homeland through her achievements in dance, cinema, filmmaking, and education.

For Rodali Bora, dance is far more than a performance — it is the language through which she expresses her identity, preserves her roots, and shares the cultural richness of Assam with the world. An Assamese jiyori now based in Birmingham, United Kingdom, Bora is carving out an international artistic journey rooted in Sattriya, Bihu, cinema, and storytelling.

Bora began learning Bihu at just two and a half years old under Guru Ranjit Gogoi. She later received extensive training in Sattriya under respected gurus Ranjumoni Saikia, Rinjumoni Saikia and Dhruba Jyoti Pathak. Nearly 20 years of disciplined training have honed her command of nritya, abhinaya, devotional storytelling, and the repertoires associated with Chali and Jhumura.

To date, she has completed more than 225 stage performances across India and the United Kingdom. Recognized as a Doordarshan B-grade Sattriya artist, she was awarded the CCRT National Junior Scholarship in Sattriya by India’s Ministry of Culture. From 2017 to 2025, she contributed significantly to cultural education by promoting Sattriya and Bihu both domestically and abroad. Additionally, she has actively participated in CCRT showcases and workshops, championing Sattriya dance alongside India’s seven other classical dance forms.

Originated in the Vaishnavite monasteries of Assam, Sattriya is one of India’s eight revered classical dance forms. Despite its deep historical and spiritual significance, it remains relatively underrepresented on the global stage. Bora’s mission is to bridge this gap, introducing international audiences to the sacred elegance of Sattriya while also showcasing the vibrant joy and infectious energy of Bihu, Assam’s most celebrated folk tradition.

Her artistic journey in the United Kingdom is rapidly gaining momentum. In February 2026, she showcased both Sattriya and Bihu during the ICCR Day celebrations at the Consulate General of India in Birmingham. She also brought the festive spirit of Bihu to the High Commission of India in London as part of a prominent State and Language Day celebration.

In June 2026, Bora performed Sattriya during a cultural programme connected with a seminar at the UK Parliament, held during the visit of Auniati Satra Satradhikar Dr. Pitambar Dev Goswami. The performance allowed her to present Assam’s classical heritage within a significant cultural and institutional setting.

Another important moment came at Nritya Sangam at The Nehru Centre in London. Opening the programme with a Krishna Vandana, Bora introduced Sattriya within a Kathak–Sattriya confluence before a full-house audience. The occasion was particularly meaningful because she had first visited The Nehru Centre as a young artist in 2013. Returning years later as a featured performer marked the distance she had travelled—from a young student accompanying her guru to an artiste representing Assam on the same platform.

Her contributions were further recognised at Samarpana 2026 in Birmingham, where Deekshaa Arts presented her with the Youth Icon Award for her sustained achievements in dance and performance. She also previously represented Assam by performing Bihu at the 2023 G20 Summit in Delhi.

The year 2025 elevated Bora to several major cultural platforms. Alongside a fellow artiste, she performed at the 18th Pravasi Bharatiya Divas in Odisha, showcasing the elegance of Sattriya dance to an international gathering of global leaders and members of the Indian diaspora. Furthermore, she graced the WOFA World Forum at the Yashobhoomi Center in New Delhi, introducing Sattriya to a diverse global audience.

That year, she performed at a Women’s Day program attended by President Droupadi Murmu, and participated in a cultural program in Madhya Pradesh celebrating Bharat Bhavan’s 43rd anniversary, which was graced by noted guests including Chief Minister Dr. Mohan Yadav and Minister Dharmendra Singh Lodhi. Later, in November 2025, Sampad selected her to perform at Ujala — An Evening of Indian Classical Dance at the Midlands Arts Centre in Birmingham. Through her performance, Sattriya stood alongside Bharatanatyam, Kathak, Odissi, Kuchipudi, and Yakshagana, bringing rare visibility to this art form before a British audience.

Bora had the wonderful opportunity to perform Sattriya and Bihu during Assam Day at the 2018 India International Trade Fair at Bharat Mandapam in New Delhi. Later, in 2024, she performed Bihu before an audience of four thousand at the 7th Northeast Fest, one of India’s largest and most prominent cultural celebrations. Through these prestigious showcases, her performances contributed significantly to the official representation of Assam on India’s major national cultural and commercial platforms.

Her connection with the stage began long before these recent appearances; her early performance history features a cultural programme for the 2012 London Olympics, a Titanic centenary commemoration in 2013, and an International Fellowship Day performance before the Governor of Assam in 2016.

A formative milestone arrived in 2009 with a one-hour televised production celebrating the music of Dr. Bhupen Hazarika. Conceived through the vision of senior journalist Jitumoni Bora and Rosy Bora, and brought to life by her gurus, the production utilised classical-fusion choreography to interpret Hazarika’s iconic compositions. Telecast on NE TV, the program was watched by Dr. Hazarika from Mumbai, from where he graciously sent his appreciation and blessings.

Alongside her career in dance, Bora has established a notable presence in Assamese cinema. Her acting journey began at just four years old, debuting as Mini in the telefilm Kabuliwala. Since then, she has appeared in 14 screen productions, collaborating with some of the industry’s most respected actors and directors.

Her performance in the film Brahmakanya: The Colour of Hope earned her an international Best Actress honour at the 2023 Campinas Film Festival in Brazil. She also received regional Best Child Actress awards for her roles in Surjasta, Seema: The Story Untold, and Phehujali. In 2025, her work in Burkha: The Veil garnered Best Actress honors at film festivals in Ahmedabad and Durgapur, as well as at the 8th Shaildhar Baruah Film Awards (NE), where she competed against talent from across Northeast India. Additionally, she appeared in Ronuwa: Who Never Surrenders, which was distinguished with a National Film Award and the Rajat Kamal in 2021.

Her interest in visual storytelling eventually drew her behind the camera. While studying Film and Television Production at Sharda University, she directed the short film Bhram: An Illusion, which earned her a Best Director award at an international film festival in 2024. She concluded her undergraduate studies as the recipient of the Vice Chancellor’s Gold Medal in recognition of her outstanding academic achievements.

Bora later moved to Birmingham to pursue postgraduate studies in Mass Media at the University of Birmingham. Her multidisciplinary experience also includes radio acting and presenting with 92.7 BIG FM, stage hosting, filmmaking, painting, and 16 years of playing lawn tennis. From a child artist in Assam to a multifaceted performer in the United Kingdom, Rodali Bora’s journey represents a beautiful intersection of tradition and ambition. Through every appearance, she carries more than just her individual talent; she bears the stories, rhythms, and cultural memory of Assam.

Her purpose remains clear: to establish Sattriya before a wider international audience, forge meaningful collaborations, and ensure this rare classical tradition receives the visibility it deserves. As she continues her journey in Britain, Bora stands as an Assamese jiyori determined to make her homeland recognised through the power of movement, expression and storytelling

A quiet corner of Rajgarh now glows with the timeless rhythm of Zubeen Garg’s humanist spirit, offering an open sanctuary where his music and memory will forever unite people of all faiths. In a moving tribute to cultural icon Zubeen Garg, his wife, Garima Saikia Garg, officially inaugurated Zubeen Khetra at Rajgarh, Guwahati on September 1. Built through the dedicated efforts of cultural activist and journalist Hemanta Sarma, the memorial stands as a timeless space honoring the artist’s enduring legacy.

Envisioned as an inclusive sanctuary open to all, irrespective of caste, community, language, or religion, the inauguration was attended by religious leaders and faith representatives who offered prayers, recited sacred verses, and extended blessings according to their respective traditions. This interfaith participation lent the occasion a profound and distinctive significance.

Speaking at the inauguration, Garima Saikia Garg noted that Zubeen Garg had lived in Rajgarh for nearly 15 years, a place deeply woven with his memories. She commended Hemanta Sarma’s initiative to establish Zubeen Khetra — a space dedicated to keeping the artist’s music, creations, ideas, and humanist philosophy alive. “People often wish to pay their respects to Zubeen Garg before embarking on a meaningful endeavour,” she shared, “and this place belongs to everyone.” She described the interfaith gathering as profoundly moving, as people of diverse faiths came forward to offer their unique blessings. Located opposite the approach road to Rajgarh No. 2 Bylane, beneath the historic Abhinaya building, Zubeen Khetra beautifully embodies Zubeen Garg’s secular and humanist vision. This sanctuary remains open to everyone, free from any religious or communal boundaries. Founder Hemanta Sarma stated that the objective behind Zubeen Khetra is to ensure Zubeen Garg’s legacy is not confined to a single place. Just as Zubeen Garg’s music and creations transcended barriers of caste, community, language, and religion to unite people, his legacy should live on in the hearts of everyone.

Advocating for the creation of small Zubeen Khetras in homes, villages, and neighborhoods, Sarma stated that establishing Zubeen Darshan in society is particularly crucial today. While many may not have considered this deeply yet, an increasing number of people are beginning to recognise its relevance, he said. Just as we have temples, mosques, churches, and gurdwaras, there should also be spaces like Zubeen Khetra dedicated to Zubeen Garg’s memory and philosophy,” he added. Sarma further clarified that while Zubeen Garg’s samadhi at Sonapur shares the name Zubeen Khetra, this Rajgarh initiative is neither a rival memorial nor an attempt to diminish the significance of the Sonapur site. Instead, he described it as a deeply personal tribute, built entirely through his own initiative and financial means without relying on any individual or institutional donations.

Steeped in the warmth of prayers, sacred chants, and interfaith blessings, the inauguration opened a small yet deeply meaningful sanctuary in Rajgarh, forever dedicated to the memory of Zubeen Garg.

The Nehru Centre in London came alive with the vibrant rhythms of Northeast India as it hosted Nritya Sangam, a cultural evening celebrating the rich artistic heritage of Assam, on July 24.

The event opened with a graceful Krishna Vandana performed by acclaimed Assamese Sattriya dancer and actor Rodali Bora. This serene invocation set a high standard for an evening designed to bridge India’s classical and folk traditions. A major highlight was the confluence of two celebrated classical dance forms: Sattriya and Kathak.

Renowned Kathak exponent Meghranjani Medhi, a recipient of the prestigious Sangeet Natak Akademi Ustad Bismillah Khan Yuva Puraskar, mesmerised the packed audience with her powerful presentation. Shifting from classical precision to folk energy, the Luitporia Nasoni Group took the stage next.

Their performance brought the vivid colours and infectious dynamism of Assam’s traditional folk dances to life. The evening also featured an emotional high point with a heartfelt musical tribute to Assam’s cultural icon, Zubeen Garg, which drew a warm emotional response from the crowd.

The event drew a house-full audience, bringing together members of the British public and diverse diaspora communities. Through its seamless blend of music and dance, Nritya Sangam concluded as a memorable celebration of Assamese culture in the heart of London.

Popular Assamese YouTuber and social media influencer Bhukhan Pathak has once again stepped forward to support flood-affected families in Assam, extending financial and humanitarian assistance to people struggling with the devastating impact of the floods.

In the first phase of his relief initiative, Bhukhan Pathak distributed relief materials worth approximately ₹3 lakh among flood-affected people in Sivasagar and Jorhat districts.

Of the total amount, around ₹1.5 lakh was contributed from his own personal funds, while approximately ₹1 lakh was raised through public donations. In addition, relief materials and other essential items worth around ₹50,000 were donated from different sources.

The relief distribution focused on providing daily ration and essential items to families affected by the floods, offering immediate support to people who were facing difficulties in meeting their basic needs.

Second Phase: Helping Families Rebuild Their Homes

Following the first phase of relief distribution, Bhukhan Pathak has now started working on the second phase of his flood-relief initiative.

The focus of the second phase is to help families whose houses have been severely damaged or completely destroyed by the floods. Bhukhan Pathak is currently raising funds to support the repair and reconstruction of damaged homes.

So far, approximately ₹1.5 lakh has been collected, and fundraising is still continuing. Along with the funds raised from the public, Bhukhan Pathak plans to contribute additional money from his own resources wherever possible.

The aim is to provide assistance for the construction of temporary shelters and the reconstruction of tube wells, helping affected families regain access to basic shelter and essential facilities.

A Continued Commitment Since 2018

Since 2018, Bhukhan Pathak has been a beacon of hope for communities ravaged by the Assam floods. According to his supporters, he has consistently stepped forward during flood emergencies to provide assistance to affected communities.

Over the years, his humanitarian efforts have earned appreciation from people across Assam, particularly for his willingness to personally participate in relief activities rather than limiting his support to online fundraising.

Bhukhan Pathak has often expressed his belief that social media should be used not only for entertainment but also to stand beside people during difficult times.

Roots in Barpeta

Hailing from the historic town of Barpeta, Assam, Bhukhan Pathak was born in Bishnupur. He is the son of Shrimati Nalini Pathak and the late Shri Dinesh Pathak.

Through his work as a content creator, travel vlogger and social media personality, Bhukhan Pathak has built a significant audience while promoting Assamese culture and highlighting issues affecting people in the state.

Bhukhan Pathak’s latest flood-relief initiative has once again garnered profound public admiration, with communities deeply moved by his commitment to providing both immediate necessities and enduring, long-term support for flood-affected families. The second phase of this inspiring campaign is now actively underway. He continues to tirelessly raise essential funds, ensuring that even more families whose homes were devastated by the deluge receive the vital assistance they need to rebuild their lives.

Barun Sarma-The silent devotee of Vyas Ojapali

Assam’s folk culture is not merely a relic of the past; it is a vibrant, living stream of our spiritual and social existence. Notably, an inimitable and vital component of this rich folk culture is the Vyas Ojapali (also known as Vyah-Gowa Ojapali) of the Darrang district. One of Assam’s oldest folk cultures, Vyas Ojapali is far more than a traditional dance or musical performance; it is a priceless folk heritage deeply woven into the state’s spiritual, literary, and social fabric. For decades, this art form has propagated religious epics like the Ramayana, Mahabharata and Bhagavata to the masses through a captivating blend of music, drama, and storytelling. It stands as an unbroken, continuous pursuit of wisdom within Assamese society.

To keep any timeless art form alive, it requires the sacrifice and lifelong devotion of dedicated practitioners. Among the artistes who have carried the grand heritage of Vyas Ojapali in their very blood and breath, dedicating their entire lives to its preservation, the name of Barun Dev Sarma stands out as truly exemplary. Hailing from No. 2 Ghorasal, a rural residential locality and village within the Sipajhar revenue circle of Darrang district, Sarma views Vyas Ojapali neither as a mere profession nor a livelihood; to him, it is a hereditary, spiritual pursuit of the soul.

Barun Sarma with the first female Ojapali group

The family of veteran Vyas Sangeet artiste Barun Dev Sarma has been deeply intertwined with the practice of Vyas Oja for generations. His grandfather, father, and Sarma himself have tirelessly nurtured this heritage, proving that folk art is not merely an expression of individual talent, but a holistic cultural heritage carried by the soul of a community. In this arduous journey, dedicated artistes like Gokul Sarma and teacher Jiten Sarma have equally devoted themselves, preserving the distinct identity of Darrang’s Vyas Oja. Their unwavering commitment continues to safeguard this profound tradition from losing its way.

For generations, societal prejudices and superstitions kept women from performing on the Vyas Oja stage. However, true visionaries have the power to break through the darkness of outdated traditions. Barun Dev Sarma took that historic and courageous step. Through his singular efforts, guidance, and inspiration, the very first all-female Ojapali troupe in Assam’s cultural history, comprising nine young women, officially debuted as the “Maa Parijati Byasini Ojapali Dal” on July 20, 2023. Mentored by Barun Dev Sarma, a lifelong practitioner of Vyas Oja hailing from Byaspara, Sipajhar, this troupe of young women has successfully navigated the path of transformation while overcoming societal hurdles. Initially, they faced a fierce storm of societal backlash, criticism, and objections, which regrettably led three young women to leave the group. Yet, Barun Dev Sarma remained completely unfazed in his resolve. Embracing the profound belief that folk culture is not the exclusive domain of any particular gender or class, but rather the fundamental right to self-expression and cultural identity for every individual, he empowered women artistes by providing them with continuous training and stage exposure, thereby fostering a progressive new mindset.

Led by Oja Upasana Sarma, the group currently features Jina Priyam Sarma as the Dainapali, with Jyotismita Sarma, Torali Sarma, Kavyashree Sarma, and Dharitri Sarma dedicatedly serving as the Palis. Defying all odds, this all-women Vyas Ojapali troupe began its journey at the Durga Puja mandap in Byaspara and has since earned widespread popularity and immense respect by performing across various parts of the state. Last year, the group won accolades in the Folk Music (Vyas Oja category) at the State Kala Sangam held at Srimanta Sankaradeva Kalakshetra. Adding to their achievements, they were also selected to perform Vyas Ojapali at the prestigious National Kala Utsav held in Pune last December. Their achievement clearly proves that with the right opportunities and proper guidance, women can carry forward our ancient traditions with equal grace and glory. Today, Barun Dev Sarma is no longer just a traditional Oja or performer; he has established himself as a dedicated custodian, teacher, and devoted practitioner of the Vyas Oja tradition. His generational legacy, cultural leadership, and relentless efforts to guide the younger generation are steering this invaluable Assamese folk culture toward a bright and empowered future.

পত্নীৰ সৈতে ব্যাসৰ ওজা বৰুণ শৰ্মা

সমাজৰ বাধা নেওচি ৰূপান্তৰৰ বাটেৰে আগুৱাইছে এদল যুৱতী। লোক সংগীতৰ প্ৰৱহমান ধাৰাক আগুৱাই নিয়াৰ নিৰবচ্ছিন্ন সাধনাত ব্ৰতী হৈছে ছয় যুৱতীৰে গঠিত এটি দল। দৰঙৰ বিখ্যাত লোকসংগীত ‘ব্যাস ওজা’ৰ চৰ্চাত তেওঁলোকে ৰচিছে নতুন অধ্যায়। আগবাঢ়িছে অসাধ্য সাধনৰ দিশে। ন-ইতিহাস ৰচনাৰে যুৱতীৰ দলটোৱে গঢ় দিছে ‘মা পাৰিজাতী ব্যাসিনী ওজাপালি’ শীৰ্ষক এটা ব্যাস ওজাপালিৰ দল। ছিপাঝাৰৰ ব্যাসপাৰাত পোন প্ৰথমবাৰ বাবে গঢ়ি উঠা যুৱতীৰ এই ব্যাস ওজাপালি দলটোৱে কঢ়িয়াইছে আশাৰ বতৰা।

ব্যাস ওজাৰ আজন্ম সাধক ব্যাসপাৰাৰ বৰুণ দেৱশৰ্মাৰ তত্ত্বাৱধানত সমাজৰ বাধা-নিষেধ নেওচি আগবাঢ়িছে দলটো। প্ৰতিষ্ঠাৰ দুবছৰৰ ভিতৰত সীমাৰ পৰিধি ভাঙি সুনাম অৰ্জিছে ছোৱালীৰ ব্যাস ওজাৰ দলটোৱে। লক্ষণীয়ভাৱে অসমৰ চহকী লোক-সংস্কৃতিৰ এটি অনবদ্য উপাদান ব্যাস ওজা। যুগ যুগ ধৰি দৰংৰ এচাম প্ৰচাৰবিমুখ শিল্পীৰ নিৰবচ্ছিন্ন সাধনাই জীয়াই ৰাখিছে ব্যাস ওজাপালি। পৰম্পৰা ৰক্ষা কৰি ছিপাঝাৰৰ ব্যাসপাৰাৰ সমীপৰ একাংশ নীৰৱ সাধকে যুগ যুগ ধৰি কৰি আহিছে ব্যাস ওজাৰ সাধনা। কঠিন জীৱন সংগ্ৰামৰ মাজত লোকসংগীতৰ এই সাধকসকলে দশকৰ পিছত দশক ধৰি অব্যাহত ৰাখিছে ব্যাস ওজাপালিৰ সাধনা। জীৱনৰ ঘাত-প্ৰতিঘাতক নেওচি প্ৰাণপণে পূৰ্বপুৰুযে দি যোৱা শিল্পকৰ্মক জীয়াই ৰাখিবলৈ অব্যাহত ৰাহিছে আপ্ৰাণ চেষ্টা।

ব্যাসৰ ওজাপালিৰ নীৰৱ সাধক বৰুণ শৰ্মা

চামে চামে এই লোক-সংস্কৃতিক আগুৱাই নিবলৈ ওলাই আহিছে এদল নৱপ্ৰজন্মৰ প্ৰতিনিধি। তেওঁলোকক প্ৰশিক্ষণ দি সঠিক দিশত আগুৱাই নিবলৈ চেষ্টা অব্যাহত ৰাহিছে এচাম জ্যেষ্ঠ শিল্পীয়ে। তাৰ ভিতৰত অন্যতম হিচাপে বিবেচিত হৈছে ব্যাসপাৰাৰ ২নং ঘোঁৰাশাল গাঁৱৰ ব্যাস সংগীতৰ আজন্ম শিল্পী বৰুণ শৰ্মা। ব্যাস সংগীতৰ এগৰাকী সুনিপুণ ধাৰক-বাহক হিচাপে পৰিচিত বৰুণ শৰ্মাই প্ৰায় দুবছৰ পূৰ্বে আগবঢ়িল এক ব্যতিক্ৰম পদক্ষেপৰ দিশে। ল’ৰাৰ সমান্তৰালকৈ ছোৱালীক ব্যাস সংগীতৰ প্ৰশিক্ষণ দি এক নজিৰ সৃষ্টিৰ বাবে তেওঁ উঠিপৰি লাগিল। কিন্তু সমাজৰ একাংশ লোক তেওঁৰ এই কাৰ্যত হেঙাৰ হিচাপে থিয় দিলে। যুগ যুগ ধৰি চলি অহা ব্যাস সংগীতৰ সাধনা ছোৱালীয়ে কোনো কাৰণতে কৰিব নোৱাৰে বুলি সমাজৰ এইসকল তথাকথিত সজাগ ব্যক্তিয়ে ঘোষণা কৰিলে। এই সন্দৰ্ভত তেওঁলোকে দিলে বহু যুক্তি। কিন্তু বৰুণ শৰ্মা আৰু তেওঁৰ কেইবাজনো সহযোগীয়ে মহিলাৰ ব্যাস ওজাপালিৰ সমৰ্থনত থিয় হ’ল। যুক্তি দিলে যে যদি গোসাঁনীক কেন্দ্ৰ কৰি ব্যাস সংগীতৰ সৃষ্টি হৈছে, প্ৰচলন হৈ আছে, তেনেস্থলত মহিলাই ব্যাস সংগীতৰ সাধনাত অসুবিধা ক’ত। পালি গকুল ডেকাক লগত লৈ তেওঁ ব্যাস সংগীতৰ প্ৰশিক্ষণ প্ৰদানৰ বাবে বাছি উলিয়ালে মুঠ ৯ গৰাকী কিশোৰী-যুৱতী। ২০২৩ চনৰ ২০ জুলাইত আনুষ্ঠানিকভাৱে আৰম্ভ হ’ল ব্যাস ওজাৰ প্ৰথমটো যুৱতীৰ দল। সামাজিক বাধা, অন্ধবিশ্বাসক নেওচি প্ৰগতিশীল মানসিকতাৰ অভিভাৱকসকলে ব্যাস সংগীতৰ সাধনাৰ বাবে আগুৱাই দিলে নিজৰ কন্যাক। তাৰ মাজত বহু বাধা-বিঘিনিৰ সন্মুখীন হ’ল দলটো। বহু অপপ্ৰচাৰ, কুৎসাঁই দলটোৰ মাজত সৃষ্টি কৰিলে ধুমুহা। তাৰ বিপৰীতে সমাজৰ এচাম প্ৰগতিশীল, সংস্কৃতিপ্ৰেমী লোকে গকুল শৰ্মা আৰু যুৱতীকেইগৰাকীক সাহস প্ৰদান কৰিলে। উৎসাহ দি আগুৱাই নিবলৈ চেষ্টা কৰিলে।

প্ৰথম মহিলা ওজাপালি দলৰ সৈতে প্ৰশিক্ষক বৰুণ শৰ্মা।

সোঁতৰ বিপৰীতে গৈ এটা সময়ত ছগৰাকী যুৱতীৰ দলটোৱে লাভ কৰিলে প্ৰতিষ্ঠা। বিভিন্ন কাৰণত প্ৰথম অৱস্থাত তিনিগৰাকী যুৱতী দলটোৰ পৰা আঁতৰি গ’ল যদিও আজিও সাধনাত ব্ৰতী হৈ আছে এই ছগৰাকী গাভৰু। ওজা উপাসনা শৰ্মাৰ নেতৃত্বত দলটোত ডাইনাপালি হিচাপে আছে জীনাপ্ৰিয়ম শৰ্মা। পালি হিচাপে সাধনা অব্যাহত ৰাখিছে জ্যোতিস্মিতা শৰ্মা, তৰালি শৰ্মা, কাব্যশ্ৰী শৰ্মা আৰু ধৰিত্ৰী শৰ্মা। সকলো বাধা নেওচি ব্যাসপাৰাৰ দুৰ্গাঁ পূজাৰ মণ্ডপৰ পৰাই আৰম্ভ হৈছিল ছোৱালীৰ ওজাপালি দলটোৰ লোকসংগীতৰ অনুষ্ঠান। বিগত বৰ্ষত দলটোৱে শ্রীমন্ত শংকৰদেৱ কলাক্ষেত্ৰত ৰাজ্যিক কলা সংগমত জন্মগ্ৰহণ কৰি লোক সংগীতৰ ‘ব্যাস ওজা’ৰ শাখাত সন্মান বুটলিবলৈ সক্ষম হয়। কেৱল সেয়ে নহয়, বিগত বৰ্ষৰ ডিচেম্বৰত পুনেত অনুষ্ঠিত ৰাষ্টীয় কলা সংগমলৈ নিৰ্বাচিত হৈ ছোৱালীৰ ওজাপালিৰ দলটোৱে প্ৰদৰ্শন কৰে ব্যাস ওজাপালি। সোঁতৰ বিপৰীতে গৈ সম্প্ৰতি কেৱল দৰঙতে নহয়, সমগ্ৰ অসমতে চৰ্চিত হৈ পৰিছে ব্যাস ওজাপালিৰ এই দলটো। এক কথাত ক’বলৈ গ’লে ২০২৩ চনত ব্যাস সংগীতৰ ক্ষেত্ৰখনত আৰম্ভ হোৱা এই বিপ্লৱে সম্প্ৰতি সীমাৰ পৰিধি ভাঙি বিলাবলে আৰম্ভ কৰিছে লোক-সংস্কৃতিৰ অনাবিল সুবাস।

Veteran Assamese actress Purabi Sarma died in Guwahati on Tuesday evening following a cardiac arrest. She was taken to a private hospital, where doctors declared her dead, and she was pronounced deceased at around 7:30 pm. A well-known name in Assamese cinema and theatre, Purabi Sarma was celebrated for her graceful performances and her decades-long association with the state’s entertainment industry. She began her film career with Ajoli Nabou, and her debut movie Ragini later won a National Award. Over the years, she appeared in several notable Assamese films, including Kanyadaan, Son Moina, Bidhata, Nayak, Ringa Ringa Mon and Porobhat (2022). She also featured in the television serial Gateway (2006) and was highly active in Assamese mobile theatre, demonstrating her versatility across multiple platforms. Purabi Sarma worked alongside many prominent figures in Assamese cinema, including Kulada Kumar Bhattacharya, and remained a regular presence in the industry for decades. She attended major cultural events such as the Filmfare Awards Assamese and the Prag Cine Awards, and also appeared with Zubeen Garg in the romantic music video Jua Bosore. She is survived by her husband, noted actor, writer and director Tapan Das. The couple was respected across the Assamese film fraternity for their lasting contribution to the arts and their long-standing creative partnership.

Born on Valentine’s Day in 1939 in the serene village of Gangmouthan in the erstwhile Darrang district (now Biswanath district), Geeta was more than just an author-she was a beacon for aspiring writers, educators, and social reformers. Scion of a distinguished family, her lineage intertwined with notable figures like her grandfather, freedom fighter and social reformer Shabilal Upadhyay, speaks volumes about her legacy. Her father, Tonkanath Upadhyay, further enriched this narrative, underscoring a lineage steeped in societal impact and intellectual pursuit.

Geeta’s journey was marked by pioneering steps; she became the first woman in the Gorkha community to earn a postgraduate degree in Political Science, a feat that resonated with similar aspirants across the region. She guided countless students as an educator, imparting both knowledge and the profound values of literature, while her translation works-bridging Assamese and Nepali literature-established an enduring dialogue between cultures.

An exemplary literary artist, Geeta Upadhyay’s oeuvre includes her remarkable translations of “The Diary of Anne Frank,” the celebrated novel “Janmabhumi Mero Swadesh,” and her poignant autobiography, “Jiwanlai Pharkera Herda.” Each work is a testament to her versatility, showcasing her ability to convey deep emotional nuances while making monumental literary contributions.

But it was not just her literary accolades that defined her; she was a formidable force in social leadership too. As the founding chairperson of the Indian Gorkha Association, Geeta synthesized literature with social advocacy, crafting a narrative that aimed to safeguard the constitutional rights and identity of the Gorkha community. Her vision went beyond mere existence; it was about thriving and contributing to a multicultural society, all while maintaining a firm grip on heritage and dignity.

Her contributions did not go unrecognized. In 2016, the Sahitya Akademi honored her with a prestigious award, and in 2025, the government of India conferred upon her the Padma Shri, the fourth highest civilian award-an acknowledgment not just of her literary prowess but of her unwavering commitment to societal upliftment.

As we reflect on her life, we witness the outpouring of grief from across various strata of society, including heartfelt condolences from Assam’s Chief Minister, Dr. Himanta Biswa Sarma, and the Indian Gorkha Association. Her absence is felt deeply, echoing through the halls of academia, literature, and the communities she adored.

Geeta Upadhyay’s legacy will undoubtedly live on in the hearts of those she inspired, and her words will continue to whisper in the winds of Assam for generations to come. This loss is not merely personal; it’s collective, reminding us that even legends must eventually sleep. But let us celebrate her life-the author, the educator, the leader-who blended passion with purpose and imbibed her work with an undeniable spirit of hope and resilience. As the curtains draw on her glorious life, we salute Geeta Upadhyay: may her thoughts roam freely across the realms of literature, forever illuminating the paths of those who dare to dream.

In the heart of Mysuru, the curtains have fallen on the illustrious career of a true luminary of Indian music. On July 11, 2026, the beloved playback singer S. Janaki, a voice that echoed through the corridors of countless hearts and cinema halls, bid adieu to the world. She left us at the age of 88, her spirit enveloped in the affection of her family, leaving behind a legacy that resonates like her timeless melodies.

Janaki was admitted to Apollo Hospital in Mysuru early that Saturday morning; a frail voice that had once serenaded millions now faced formidable health challenges. Despite the relentless efforts of the medical team, her star dimmed in the evening, succumbing to a cardiac arrest. Family sources revealed that she had recently been residing in Bogadi, a serene locale that now echoes with memories of her vibrant spirit.

As news of her passing spread, the music fraternity and fans alike were plunged into mourning. Janaki’s granddaughter, Apsara Vydyula, took to social media to express her emotions, a heartfelt post that stirred our collective soul: “She left us peacefully, surrounded by the love of her family. While our hearts are heavy, we are also filled with gratitude for the extraordinary life she lived and the immeasurable joy she brought to millions through her timeless music.” Apsara’s words beautifully captured Janaki both as an iconic voice on the silver screen and a nurturing grandmother who filled lives with warmth and grace-a duality that encapsulated her essence.

Known as the “Nightingale of India,” Janaki’s vocal prowess knew no bounds. Over a prolific career that spanned six dazzling decades, she recorded an astounding 48,000 songs across various languages, primarily in the South Indian linguistic tapestry of Kannada, Tamil, Telugu, and Malayalam, while also weaving her magic in Hindi, Urdu, Punjabi, and even Bengali. The sheer versatility of her voice seemed almost otherworldly, effortlessly transitioning through varied genres and styles-from traditional folk to contemporary hits, each note tinged with her unique emotive touch.

Her ascent in the industry was no mere stroke of luck; it was a testament to relentless hard work, talent, and perhaps a touch of divine intervention. She sang for legendary composers, her melodies wrapping themselves around the narratives of films like a comforting hug. From superhits to regional classics, her songs became the soundtrack of many lives, encapsulating the dreams, sorrows, and aspirations of people.

While channels of nostalgia now flood with her greatest hits, the real essence of S. Janaki lies deeper than just her discography. It is found in the way her music has woven into the very fabric of our memories-each song a pearl in a necklace strung with stories of love, loss, and celebration. Like an artist adding the final strokes to a masterpiece, she created timeless works that will linger long after her departure.

As we close this chapter in the saga of Indian music, let us remember S. Janaki not merely as a singer but as a formidable force, a woman who transformed the very landscape of playback singing. Her legacy is immortalized not just in her songs but in the hearts she touched, the dreams she inspired, and the music that will echo long into the future. As the sun sets on this celestial songbird, we are left with melodies that will forever remain a part of us, resonating through time-a lasting tribute to an unparalleled artist.