Actor Avinash Tiwary, known for his work in Sajid Ali’s film ‘Laila Majnu’ and web films, ‘Bulbbul’ and ‘Ghost Stories’, has reacted to R Balki’s take on nepotism on social media.
A few days ago, in an interview talking about the debate on nepotism, Balki had said, “Find me a better actor than Alia Bhatt and Ranbir Kapoor and we’ll argue.” Addressing the filmmaker’s views, director Shekhar Kapur tweeted, “Have huge respect for you, Balki. But I just saw Kai Po Che again last night. Three new young actors at that time. And stunning believable performances by each (sic).”
While writer and editor Apurva Asrani agreed with Avinash, filmmaker Anubhav Sinha defended Balki, and said, “I think what he meant was that they are both truly deserving stars despite their illustrious pedigree. And I agree with that.”
Talking to Bombay Times. Avinash said, “Everyone who is talented should get an opportunity. When I read Mr Balki’s statement, it almost said that yehi do log talented hain (Ranbir and Alia). I am not saying that look at me, I am more talented, but there are others who could be, but do they get a chance? I got my first film as a lead actor (Laila Majnu) after toiling for 15 years. I gave 21 screen tests for it and waited for three years for it to be made. Not many people can even afford to sustain this long. For an outsider to be able to figure out Kidhar jau, kisko milu, four years have already gone. I can’t even have a PR (publicist) because I can’t afford it. I am glad we have casting directors now, but how many casting directors cast the lead actors of a big film? Has Mr Balki found a casting director to cast his leads? The lead actors are often selected by the filmmakers. So, how would he know if there are better actors out there or not?
“Of course, Alia and Ranbir are brilliant actors and they would stand out even if they were outsiders. If Ranbir wasn’t from a film family, he would have probably taken 10 years to get a Rockstar, but he would have still bagged that kind of a film. Talent will shine through, and good work will be rewarded, but it isn’t a level playing field. Ayushmann Khurrana has taken eight or nine years to be a mainstream hero, Kartik Aaryan delivers 100-crore films today, but he too has been acting since 2010. That doesn’t happen with someone like Sara Ali Khan, who has a Simmba even before the release of Kedarnath. That’s an amazing privilege to have.”
Avinash, however, argues that we cannot blame the star kids here. “If my father was a big actor or producer, why wouldn’t I make use of my privilege? I hold the media and the audience accountable. The audience is the consumer. If they pay and watch cinema that is also being made beyond the mainstream, then it equalises things. Laila Majnu didn’t last in theatres even for a week. Why didn’t the audience go and watch Sushant’s Sonchiriya in theatres? It was a good film. Ab sab behti Ganga mein haath dho rahe hain. Ab yeh nepotism ka trend chal raha hai, so let’s talk about it,” he said. Secondly, the media has the power to put the spotlight on a talent that deserves it. I remember for Ghost Stories premiere, not a single article carried my photo or mentioned my name. Star kids like Janhvi Kapoor and Ananya Pandey were also present and they were written about. A few articles added my name later after I enquired about it.”
He further said, “Around 95 per cent of people in this industry are outsiders, 5 per cent may be insiders, but the mainstream is dominated by this 5 per cent, and all the eyeballs are on them. When I say mainstream, there are power centres in every industry and film industry is no different. These power centres give opportunities to people who they are comfortable with and who will facilitate in selling their films better. Most star kids assure filmmakers the returns as there’s so much media attention on them. The nepotism argument is flawed. We can’t blame a few individuals for nepotism. It’s the system and culture that needs to change. As an outsider, you are just happy to get an opportunity. My fight is not for validation. It’s for acknowledgement of my existence as an actor.”
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